Tickets and dates

Tara Clerkin Trio.

4 upcoming dates, from 23 October 2026 to 7 April 2027, in Brighton, Leeds, Oxford and London.

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Upcoming dates.

Wed 28 OctDoors 19:45

Tara Clerkin Trio + Osgled

The Nest · Oxford

Tara Clerkin Trio are back! They astonished us a few years ago in Oxford with their intricate intricate mix of dub, jazz and delicate ambient beauty! Tara Clerkin Trio are Pat Benjamin, Sunny Joe Paradisos and Tara Clerkin, three musicians involved in a number of cult Bristol bands over the years before confidently settling down in triangle formation. They are inspired by and borrow from jazz, trip hop, electronica, psychedelia & minimalism, twirling the non-pretentious strands of these threads together into a trippy green winged-cloak, adorning Arthur Russell and dripping in blue jam. The band will release their new LP 'Somewhere Good’ in June 2026, following on from two extraordinary mini-albums – In Spring (2021) and On The Turning Ground (2023) – making a splash on London’s formidable World of Echo label in wake of their self-titled 2020 debut. The hazy, unmappable skyline-mirage of droning harmonium, upright bass, peculiarly accentuated wind instruments, acoustic guitar, hushed yet literally mighty keys combine to hypnotizing effect. The band may make underlying nods to jazz, sure, but it’s not appropriation, it’s that they have the actual chops to build it out. Be...

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Wed 7 Apr 2027Doors 19:30

TARA CLERKIN TRIO

Scala · London

TARA CLERKIN TRIO formed in Bristol (where none of them are from yet all of whom are deeply engrained) in 2020. Despite the singular authority implied by its name, they consist of the titular Tara Clerkin, her partner Sunny Joe Paradisos, and Sunny’s brother, Patrick Benjamin. With two extraordinary mini-albums – In Spring (2021) and On The Turning Ground (2023) – making a splash on London’s formidable World of Echo label in wake of their self-titled 2020 debut, their new album Somewhere Good LP is in many ways the band’s most realised work. In running their usual gauntlet of idiosyncratic (*an overused adjective for which here there is regrettably no sufficient alternative) approaches, Clerkin & Co. color in and outside of compositional lines over the course of 40+ celebratory minutes - never wallowing, despite inherently somber subject matters of self-defeat, disease, displacement, restlessness, gentrification - allowing their arrangements and improvisations ample space and time to situate, stretch out, breathe, cross-pollinate, and ultimately take deeper hold on the listener’s imagination – all while somehow sounding more like themselves than ever before. There are...

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